Yanomamö male shaman’s curing song (Venezuela) Yekuana male shaman’s curing song (Venezuela) Warao male wisiratu shaman’s curing song (Venezuela) Warao male hoarotu shaman’s curing song (Venezuela) Sikuriada (Bolivia) “Kulwa” (Bolivia) Lichiwayu notch ﬂutes (Bolivia) “Walata Grande” musiñu-drum ensemble (Bolivia) Tarkeada (Bolivia) “Lunesta, Martesta,” song with charango (Bolivia) Folia de Reis (Brazil) Moçambique-dancers and percussion (Brazil) “É bonito cantar” (Brazil) Forró do pite (Brazil) Forró de sanfona (Brazil) “Boa noite todo povo” (Brazil) Canto a lo peuta-with guitar (Chile) “Tengo que hacer un barquito”-with accordion (Chile) Song by blind rondador (panpipe) player (Ecuador) Quechua song with harp (Ecuador) Huayno (Peru) Complete notes on each example can be found on pages 537–543. Track and CD numbers are also indicated on the pages listed below for easy reference to text discussions. The following examples are included on the two accompanying audio compact discs packaged with this volume.

Olsen Questions for Critical Thinking: Latin American Music Questions for Critical Thinking: South American Music Conclusion Dale A. The Tropical-Forest Region Anthony Seegerīrazil: Central and Southern Areas Suzel Ana ReilyĪfro-Peruvian Traditions William David Tompkins Questions for Critical Thinking: Middle Latin American Music Questions for Critical Thinking: Caribbean Latin American Music The Dominican Republic Martha Ellen Davis Social Structure, Musicians, and Behavior Anthony Seeger Musical Genres and Contexts Anthony Seeger The Distribution, Symbolism, and Use of Musical Instruments Dale A. Issues and Processes in the Music of Latin America Introduction to the Music Cultures of the RegionĪ Proﬁle of the Lands and People of Latin America Dale A. Library of Congress Cataloging in Publication Data A catalog record for this book has been requested ISBN 4-7 Master e-book ISBN ISBN10: 1-7 (pbk) ISBN10: 4-7 (ebk) ISBN13: 978-1-1 (pbk) ISBN13: 978-4-8 (ebk) Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identiﬁcation and explanation without intent to infringe. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system without permission in writing from the publisher. Sheehy 2008 Taylor & Francis All rights reserved. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to © 2000 Dale A. This edition published 2008 by Routledge 270 Madison Avenue New York, NY 10016 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park Abingdon, Oxon 0X14 4RN Routledge is an imprint of the Taylor and Francis Group, an informa business The Garland Handbook of Latin American Music, second edition, is an abridged paperback edition of South America, Mexico, Central America, and the Caribbean, volume 2 of The Garland Encyclopedia of World Music, with revised essays This edition published in the Taylor & Francis e-Library, 2007.

The Garland Handbook of Latin American Music Second Editionįirst published 2000 by Garland Publishing, Inc.

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